In this week’s review of the Michelin three star Le Cinq in Paris I describe a 70€ dish of gratinated onions as being ‘mostly black, like nightmares’. Have a look at this picture of the onion dish, which ran with the review. It was supplied by the restaurant.
Weird, isn’t it. That’s not black, or at least not entirely. It’s golden, like amber, and rather beautiful. Now have a look at this picture which I shot during the dinner on an iPhone 7, using their available light.
That looks more like the thing I was describing, doesn’t it.
Here’s the thing. When I review a restaurant I book under a pseudonym. They do not know I’m coming until I’m there and sometimes still don’t clock me. I leave, I write my review, and then we send in a photographer to shoot pictures of all the things I ate. Why don’t I just shoot them on my phone at the time? For two reasons. Firstly it would draw attention to what I’m doing there and secondly, while an iPhone 7 camera is good, it’s not good enough for the needs of a quality newspaper and nor am I. We get a professional to do the job. Occasionally the food the photographer shoots looks slightly different to that which I’m writing about, but it’s never been a major difference. (Step inside these parentheses a moment. It’s worth adding that the Observer’s photographer has no idea whether the review they are illustrating is positive or negative and therefore they have no agenda. Many years ago I used to file my whole review to the picture desk, who would punt it on to the photographers. It transpired that the photographers were being hassled by the restaurant when they turned up to shoot as to what the review was like. The photographers didn’t like this and said they’d prefer not to know so they genuinely couldn’t answer. Now I just send a list of dishes.)
This week, though, really is completely different to that which I ate. Why is that? Because the great Le Cinq refused to let us shoot their food.
Apparently, it was too expensive for them to make these dishes just to be photographed. Instead they offered to send us their own PR shots. We felt we had no choice but to accept this offer. As the review has a number of critical things to say we did not wish to give them the opportunity to suggest that we had set out to show them literally and figuratively in a negative light. But hey, I have this website and it seemed a good place to point up the differences.
For sake of clarity I am in no way suggesting that le Cinq did this to deceive anyone, or to gainsay my review the contents of which they had no prior knowledge of until its publication. (I pity the person who has to translate it.) But I do think the difference between the way they portray their dishes and the one I ate is interesting.
And in case you think I just did a very bad job, here’s my companion’s pic of the same dish, also shot on an iPhone 7.
While we’re here, have a few more pictures.
Finally in case anyone is wondering, the Observer has not suddenly had a massive increase in its budgets. Which is to say, the paper did not pick up the entire 600€ bill.
I was due to be in Paris and had not eaten in one of the city’s full on Gastro-Palaces for almost ten years. I was curious. The suggestion of Le Cinq came from my friend in Paris who had eaten there a few years ago, under a different chef. She paid her own bill. I paid half of mine and the Observer picked up the rest (which is roughly at the top end of what he paper would cover on one of my usual reviews).
As you’re here why not have a look at my live shows page. I perform live – both stand up comedy and jazz – all over the country.